Once firmly entombed in the air conditioned land cruiser with the driver, a sign reading "Lock All Doors Before Driving" in big letters across the dash, swahilli rap blaring over the radio, we start making our way across greater Dar es Salaam to my hotel. I am amazed. There does not appear to be any rhyme or reason to the traffic laws, as cars push their way into the gridlock, horns going steady, police waving their arms in frustration, motorcyles with three or four kids on the back riding in the opposite direction, weaving between the oncoming vehicles. In the middle of all this are walking markets. Kids mostly, some young men, carrying a dizzying array of towels and cel phone car chargers and weightlifting equipment, kids toys and cd cleaning kits, a single shirt on a hangar, tire irons, wash basins, men's and lady's brand name perfumes, rubber tie down straps and screwdrivers, utensile trays and batteries, a single windshield wiper, software and produce, walking amongst the traffic, selling their wares to whomever opens their window, running after vehicles if the traffic should suddenly open up mid-sale. It was Africa.
In Dar es Salaam, if you are white, you have a good chance of being called "Muzungu", which meant, in the early days of explorers and missionaries, "those who wander around lost in an annoying way". I prefer the Masai name for the pale man walking around in pants, iloridaa enjeka, or "those who confine their farts". Many who visit are picked up at the airport terminal and whisked off to safari or to see, and even climb, Kilamanjaro. I prefer a little more exposure, get a feel for the place, so the driver drops me in town and I hit a few shops in the crowded streets in search of odds and ends I can't get in Mtwara. I decide I need to replace the cheap Chinese acoustic guitar I broke in Turkey (that's another story that had me swear an oath to never again drink vodka with Finns), and finding a guitar dealer in the streets of Dar es Salaam involved phone calls to East Indian "connections", and eventually I find the shop, and "the guy", and I start playing my way through his collection to find something suitable, but cheap enough I can leave it behind. Back in the landcruiser, using the guitar's cardboard box and some twine as it's case, we head back into the traffic.
As we near the hotel, the wheel eating potholes and narrow, dusty, crowded roads give way to manicured lawns and green, spacious compounds enfenced with heavy barbwire, embassies and fancy resorts, and there again is that wonderful Indian Ocean. The hotel I walk into is culture shock all over again. It is simply the most beautiful place I have ever walked into, and I feel a little James Bondish walking up to the large wood desk (despite the twine and cardboard guitar case) and give my name, and even more Bondish swimming in the huge oceanside pool overlooking palm trees and cabanas. It is a very far cry from Mtwara, and farther still from the mahem just up the road.























